›› Dave's GAY FILM REVIEWS for 2018 ‹‹
Welcome to Dave's GAY FILM REVIEWS for 2018.

Check out the links below to jump to the title of your choice,

OR scroll down to see all the reviews as penned to-date.

›› reviews on this page ‹‹

  Cigano - aka: Gypsy | Dawn | Dinner Confession | God's Own Country

Kiss Me Softly | Pittsburgh | Sign | Spilt Milk | Talking to My Mother | Wild Awakening

›› more reviews coming soon ‹‹


›› Sign ‹‹

a short film by Andrew Keenan-Bolger.

2016 | 15 mins | US.

a beautifully crafted silent love story.

Dave says:

Written by Adam Wachter, this compelling short tells the story of how when cutie Ben (Preston Sadleir) summons up the courage to talk to Aaron (John McGinty) at their local Manhattan subway station, he's surprised to find that Aaron is deaf. In short and what at first appears to be just another variant on the boy-meets-boy theme, is in reality anything but. For under the ace direction of Andrew Keenan-Bolger, this is actually a beautifully crafted silent love story; one that relates how two men, both lonely, come to find love and companionship in each other, only for their different worlds to threaten to tear them apart.

Wonderfully told by way of imagery and music throughout, such I dare say may leave some in the narrative dark in places, with one part in particular yearning for subtitles for the benefit of those without a knowledge of Sign Language. That said, the overall story is all but clear, as our two boys meet, strike up a friendship, fall in love, move in together, run into relationship woes, fall out and then... well, that would be saying. What can be said, is that this wondrous work is beautifully played by the McGinty / Sadleir pairing, who between them showcase more emotions in a mere fifteen minutes, than in many a feature I could name. Available to view on the Boys On Film 16: Possession shorts compilation, this touching, yet equally bittersweet work is also available as an Official FreeView courtesy of the good folk at Peccadillo Pictures; be sure to check it out.

›› available on DVD from Amazon.
›› check out the Official FreeView on YouTube.
›› posted: Sunday, 3rd June, 2018.

Gay Visibility - overt. 
Nudity - none. 
Overall - file under ... 4 stars. 


›› God's Own Country ‹‹

a film by Francis Lee.

2017 | 100 mins | UK.

an achingly realistic coming-of-age rural love story.

Dave says:

Described by some as the UK version of Brokeback Mountain, such a comparison is only apt given the story revolves around two men of different backgrounds who come to find comfort in each other's arms in the great outdoors; in this case the harsh, yet equally beautiful farming countryside of West Yorkshire. Yet it's a lot more than that, for in telling the tale of how gay boy Johnny (Josh O'Connor of The Durrells fame) numbs the daily grind of working long hours on the family farm with a heavy mix of binge-drinking and casual man-sex, this is in essence a good ole fashioned coming-of-age love story, courtesy of the arrival of hired help Gheorghe (Alec Secareanu); a Romanian migrant who forces Johnny to face up to the responsibilities of life and love.

Yet in showcasing an achingly realistic depiction of gay life in rural England, first-time feature writer and director Francis Lee has also delivered a character study of a man all but trapped in a life that's taking both a mental and physical toll on him. For Johnny is far from a likable character at first; selfish and downright annoying, he's the polar opposite of Gheorghe who radiates warmth and compassion, whilst not suffering fools gladly. Told with minimal dialogue, their scenes together and in particular their lovemaking strikingly juxtapose raw animal lust with acts of a man learning how to love, and moreover accepting love back in return.

As expected, Ian Hart as Johnny's stroke-laden father and Gemma Jones as the grandmother taking care of them are splendid in their roles; both being far more open-minded than what they may at first appear. Yet whilst the film belongs to the O'Connor / Secareanu pairing, boys who do not shy away from showing you the men they are, it also belongs to the vivid cinematography of Joshua James Richards that captures not only the breathtaking beauty of rural Yorkshire, but equally the joy and sheer heartache of the lambing season. Complete with a close of play that is both compelling and emotionally rewarding; frankly, this is one of the best British gay films in years. But then you already knew that. Say no more.

›› available on DVD from Amazon.
›› check out the Official Trailer on YouTube.
›› posted: Monday, 28th May, 2018.

Gay Visibility - overt. 
Nudity - the full monty. 
Overall - file under ... 5 stars. 


›› Wild Awakening aka Salvaje Despertar ‹‹

a film by Joan Fermí Martí.

2016 | 93 mins | Spain.

an entertaining mix of high camp and homoerotica.

Dave says:

Some films aren't meant to be taken seriously and this is certainly one of them. And if you bear that in mind, then this is an entertaining mix of high camp and homoerotica. Played like a cross between melodrama and a Spanish gay themed soap opera, it tells the story of all-round cutie Toni (Fabián Castro), who along with his sister Emma (Júlia Hernández) run a riding school, that is when Toni's not out getting up close and personal with seemingly most of the men in the area. Until he falls for the manly charms of their foreman's son and resident hunk Aarón (Christian Blanch). And that's when things get complicated, given sister Emma also has the hots for him, not the mention - oh, I'm about to, the outright homophobia of Aarón's father Ramón (Richie Ormon); a man who would prefer a dead son, over a gay one. And then Aarón is suddenly no-where to be found...

In short, this is gay Jim and certainly as we know it, with enough man-candy on hand to more than keep you glued to the screen, some of whom by no surprise lose some, if not all of their clothes. And whilst the low budget of the piece at times shows, the outdoor beauty of the ranch location is easy on the eye, as too are the ever so fit cast who play their largely undemanding roles with just the right amount of tongue-in-cheek humour. Complete with more studs than what you can wave your riding stick at, let alone Jordi Pujol as a tranny styled Sharon Stone impersonator, or should that be more Marilyn Monroe, then how can you not say that this is anything but fun 'n' cheesy entertainment for the boyz. But then I guess you already knew that. Say no more.

Other than, and for those wondering just what the PLUS denotes in the nudity rating, then put it this way; Christian Blanch is more than happy to give you a tantalizing glimpse of "the big boy" he clearly is; that is, when he's not getting down to some sensuous man-on-man action with lead Fabián Castro. Oh, some folk have all the luck!

›› available on DVD from Amazon.
›› check out the Official Trailer on YouTube.
›› posted: Saturday, 26th May, 2018.

Gay Visibility - overt. 
Nudity - bare-arsed cheek PLUS. 
Overall - file under ... 2+ stars. 


›› a compilation of acclaimed gay short films ‹‹ ›› Cigano - aka: Gypsy ‹‹
2017 | 116 mins total running time. 2013 | 18 mins | Portugal
›› Talking to My Mother ‹‹ ›› Dawn ‹‹
2014 | 18 mins | US 2012 | 11 mins | US
›› Spilt Milk ‹‹ ›› Dinner Confession ‹‹
2016 | 23 mins | UK 2015 | 12 mins | Taiwan
›› Pittsburgh ‹‹ ›› Kiss Me Softly ‹‹
2013 | 18 mins | US 2012 | 16 mins | Belgium
›› New Queer Visions: Men from the Boys ‹‹

a compilation of seven gay short films
by first-time directors from Belgium, Portugal, Taiwan, the UK and the USA.

Dave says:

This, the first gay short film compilation released by the acclaimed New Queer Visions Film Festival explores first love, revenge and new beginnings.

CIGANO aka: Gypsy / There's an acute sense of menace in this accomplished short from writer and director David Bonneville, one that finds a wealthy young man with a flat tire accept help from a Gypsy passer-by, only for Zé-Tó to expect Sebastian to give him a ride home in return. In short, this two-man thriller is but a variant of the classic hitchhiker setup of the driver becoming ever fearful of the stranger in his car and here its delivered with both aching tension and style. Only and in as much as Jaime Freitas as Sebastian plays his part to a narrative tee, it's Tiago Aldeia as Zé-Tó who steals the show, given his character is but a tense take on the theme of the Good Samaritan turned bad. Taking charge of events from the onset, taunting an ever nervous Sebastian along the way, this is a work in which you're never quite certain just what is going on in the minds of these two men and moreover if, or indeed when Zé-Tó became aware of the nature of Sebastian's sexuality, even if the gay element of the story itself is but a slow burner, with a key photo, alongside telling glances at Zé-Tó's physique homoerotically stating the obvious without the need for words. And whilst I dare say that the open ending will not be to everyone's liking, such is nevertheless indicative of a short that can only but leave you wanting more / covert - none - 4 stars.

TALKING TO MY MOTHER / Beautifully constructed, if somewhat overly sentimental, this nevertheless makes for a poignant look at the relationship between a mother and son. Yet it's more than that, for in the hands of writer and director Leon Le, this is a work all about being true to yourself and moreover to those close to you; be it to your mother, or be it to your intended fiancée. No surprise then that closeted Asian American Michael, achingly played by Zilong Zee, finds himself in a corner, devoted to his boyfriend, yet equally aware of the pressure to succumb to social conformity and marry the beautiful Julianne. Something, somewhere has to give and give it does in a work that is as unhurried, as it's beautifully scored. This is also the first of two shorts by Leon Le on this compilation and whilst this is the polar opposite of the one that follows, it does however perfectly illustrate the demands of Asian culture to carry on the family line; that of a seemingly inherent "duty to marry" tradition that all too often triumphs over personal sexual freedom / overt - none - 3 stars.

DAWN / Produced two years before the above, frankly it's hard to believe that both works are by the same director, given this is a brutal, yet equally telling short that wonderfully explores prejudice; be it race or sexual. And it all began on an evening commute on the subway when Afro-American Tye detects, or rather thinks he does, racism from another passenger's glance. Opting to follow the man home to get to the heart of the matter, what was meant to be a verbal confrontation soon turns into a violent mugging, leaving Tye with the bitter home truth that the man without prejudice is the man he's just beaten up. Violent by nature and complete with a gay twist in its tale, this well-written story plays on preconceived opinions to challenge stereotypes, in the process revealing a common link that neither victim, nor perpetrator were aware of. Frankly, this "message in a bottle" piece has a lot going for it, being well-played throughout, even if you have to question why anyone would leave their car in such a secluded place? / covert - none - 3+ stars.

SPILT MILK / There's some quite touching moments in this short film from first-time director James Dunstan, as written for the screen by Dillon Beagley. Then again, this is but a variant take on the theme of unrequited love, as we find Scarlett falling for her best friend Frankie; a teenager who as a boy came to her rescue and so began their deep bond. Only Frankie is gay, his close friendship with Scarlett complicated by burgeoning feelings of the trans variety. All of which culminate on the night of the high school prom, where Frankie has to decide what to wear; the traditional tuxedo, or that dress he's being longing to wear to the ball. And it's here that the Dunstan / Beagley pair take delight in playing with the audience, splitting the screen into two so as to showcase two vastly different sequence of events; one with Scarlett and Frankie hand in hand as lovers, and the other with Frankie coming out to one and all in the best dress of the night. Only which is real and which is fiction? To say would be a spoiler, even if it's fairly obvious given the context of the narrative, but it's a scenario that's achingly played by Lucy Chappell as Scarlett and Tom Rhys Harries as Frankie, with Bobby Schofield on hand to supply some manly delights for the Prom Queen. In short, there's a lot to like here, given this is a work that not only shines the spotlight on gender and sexuality, but equally on love and abuse. Above all however, this is the heart-warming story of two young people coming to terms with who they are and the reality of their feelings for each other. And it's a story beautifully told / overt - from the waist up - 3+ stars.

DINNER CONFESSION / If this short film looks somewhat amateurish, then that's down to the fact that it's the result of improvisation. Yet therein lies its beauty; given it has a lush, natural feel to it. In essence, it's a coming out tale, as during an evening meal a mother confesses to her son to tidying up his bedroom, duly asking him if there's any secret he's hiding from her, upon the discovery of a "muscle magazine". Only that's not the true confession of the piece, as the son's boyfriend is soon to arrive and in a neat twist to the coming out narrative, tentatively outs the pair as lovers with the question - what would you do if Che likes boys? Somewhat sweet, yet equally telling, this Taiwanese tale is all but over before you know it. And that's a shame, given this is but a charming variant on the coming out scenario, and how a mother accepts both her son's sexuality and his lover over the course of dinner. Anyone for dessert? / overt - none - 3 stars.

PITTSBURGH / There's a real sense of intimacy in this short film from writer and director Rory Dering. Indeed, it's as if you're eavesdropping on the private conversation between two men. Then again, this is all but a two-man play; albeit one in which both of its players are deaf and that for the main part subtitles fill the screen. Largely score free as a result, it's the "sound of silence" to this work that achingly reflects the reality of the situation, and the language of sign. All of which makes for an emotional rollercoaster ride of mixed feelings, given here we find Brett deeply in love with his boyfriend of two years Alex, ever hoping against hope that Alex will openly accept his sexuality, only for the man himself and in as much as he loves Brett, to also want a girl, marriage and children. Something, somewhere has to give and give it does in this telling discourse on sexuality and relationship blues, as the pair struggle with their feelings for each other and whether or not to continue with their turbulent, yet equally loving relationship. Tommy Korn as Brett and Brandon Crowder as closeted Alex shine throughout / overt - none - 3 stars.

KISS ME SOFTLY aka: Kus me zacht jes / Whilst this is hardly groundbreaking gay cinema, there's nevertheless something rather endearing about this short film from writer and director Anthony Schatteman. No surprise, given this is yet another variant of the coming out scenario, one that here finds a family all but blind to the fact that their son Jasper is habitually bullied at school just for being gay. Not that his father's views would seemingly be any different, fixated as he is on his career as a Schlager styled folk singer whose closing number Kiss Me Softly On My Mouth wouldn't be out of place in a repeat screening of Eurotrash. Sensing something is troubling her son, but addicted to the lottery, talented artist Jasper finds himself instead seeking refuge in the arms of his boyfriend Mathias, in the knowledge that perhaps the time has finally come to make his own kind of music. Well-played throughout with some neat comical turns along the way, this is one of those works in which the closing scene has all but been telegraphed in advance, even if you cannot help but wonder what happened next, given the look on Jasper's face come close of play is all but yearning for love and acceptance, in this tender take on saying it with pride / overt - from the waist up - 3 stars.

Closing Comment: There's some really good short films here, although and like many a compilation I could mention, they've played their ace first, given and if there's one short crying out for feature development, then it has to be CIGANO. And certainly it would be interesting to know the backstory to these two characters, so as the audience is in-the-know, whereas the protagonists would have no idea of the checkered past of the stranger seated next to them. That said, every short has its merits, being a sure case of something for everyone.

›› available on DVD from Amazon.
›› check out the Official Trailer on YouTube.
›› posted: 20th / 22nd / 27th January, 2018.
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